A funny thing happened on the way back from the Apple Store… I confronted myself from 1999, and me from ten years ago was horrified at what I had become.
Today I set up an appointment with the Genius Bar on my iPhone. The time was 11 a.m. and I was frustrated to see the next available appointment was for 12:10 p.m., a whole hour away. I managed to pass the time by queuing up a playlist on my iPhone that I made the previous night of the best songs from the television show, Glee, which I had purchased individually on the fly from iTunes.
I arrived for my 12:10 p.m. appointment at 12:20 p.m. and was told politely that I missed my spot and would have to sign up for a new appointment, which would be in twenty minutes. I was annoyed and stomped off, trying to figure out how to spend twenty minutes with nothing to do. I flipped through various iPhone apps and checked NY Times headlines, read a few reviews on Flixter, and wrote a few emails after texting my wife and playing Ninja Ropes.
Renaming the SCI FI channel to Syfy is proof positive that the management of the network are a bunch of booger-picking morons who wouldn’t know a phaser from a frisbee.
…at least, that is what I thought until about five minutes ago.
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Push didn’t promote itself well. Released almost a year to the day after the similarly-themed and poorly-received Jumper and featuring a synopsis that sounds like a repeat episode of Heroes — or worse, X-Men Lite — the movie doesn’t first present itself as something you have to see. So most people didn’t, including me. Fortunately, I just caught some friends watching it, and now that I’ve checked it out, I’ll happily do the heavy lifting for the movie’s marketers and explain why it’s worth watching.

Think sci-fi on TV means just Star Trek? Don’t forget Babylon 5! To me, Babylon 5 shows the real potential of television: long running stories with vast complexities over many seasons. Writer/director J. Michael Straczynski paved the way for shows like Lost, Heroes, Firefly, and our beloved Battlestar Galactica.
Sure, the effects haven’t held up well — though they were cutting edge during production. But the story’s richness and density makes up for that shortcoming. B5 is ultimately a show about survival, relationships, loyalty, friendship, politics, and war. It’s a show about what it means to lose your way and what happens when you subvert your ideals. It’s about the fall from grace and the fight to put justice in its rightful place — powerful themes and ideas.
There’s also a lot of fun and explosions. What’s not to like?
We’re currently re-watching the entire season in community frak parties every Saturday night at 10 p.m. ET. Why not come join us? Right now we’re finishing up the first season — available on Hulu, by the way — and having seen it all before I can tell you that if you jump in now you can follow along easily.
Re-Watch Calendar [GWC Forum]
July 25th’s Frak Party (1×21: The Quality of Mercy) [GWC Forum]
Watch Season 1 & 2 Free [Hulu]

I think Vampires and Vampire stories suffer from a bit of an image problem. Yeah I know, that sounds funny, but it’s true. I often hear people say Vampires are disgusting or that the stories are limited in their scope because all vamp tales are the same. In my most humble of opinions these are folks who must not have much imagination. There’s tons of badass stuff out there if you care to look, so I wanted to post up a quick slam course in Vampire and why they’re cool. Don’t worry, this won’t be too painful.

I’m a huge fan of MMORPG’s (Massive Multiplayer Online Role Playing Game) and have been for years. A few years ago I saw an ad for Eve Online and decided to see what it’s all about – and I’ve been playing on and off for a few years now. Eve isn’t just a flight game or a techno shooter or even an MMORPG, it’s a mirror of life with the restrictions removed and set 20,000 years in the future.

It’s a strange thing, this aging. I was watching the Futurama movie Bender’s Game the other day when I started thinking about my first D&D experience (now twenty years ago) SSI’s Curse of the Azure Bonds. Admittedly, the cover of the box is what caught my eye. “Chick’s in low cut chainmail? I must know more.” Of course the box was the only thing with low cut anything on it but it didn’t matter. Ten minutes into the game my life had changed forever, I knew it then as I know it now – I was into Dungeons & Dragons.
Twenty years of dragons, role playing and nerdly pontifications later I felt a need to play Curse again. There was some difficulty finding a 5.25” drive and a fun discovery that my machine now is lightning on a leash compared to the turbo 286 I explored the world with back in the day. However, a little time and a little help from Mo’Slo and I was back in business, old school style.
According to TVWeek.com and Twitter, the SciFi network is finally ridding itself of its geeky image by changing its name to the slick new “SyFy,” which will attract the desirable demographics of hot women and people who hate science fiction.
After years of suffering the stigma of “geeks and dysfunctional, antisocial boys in their basements with video games,” SyFy’s savvy new marketing scheme will move the network away from hokey aliens, outer space, and futuristic worlds to better programs like Extreme Championship Wrestling, reality shows, and cutting-edge tv movies.
When the 18-to-34 techno-savvy crowd agreed unanimously that “SyFy” was how you’d text someone if you wanted to say “Sci-Fi,” the president of the network, Dave Howe, said “It made us feel much cooler, much more cutting-edge, much more hip, which was kind of bang-on what we wanted to achieve communication-wise.” One network source, who refused to be identified discussing such an exciting matter, said “The SciFi network has always hated science fiction. Science, fiction, yuck. Now we can finally show our fans what we’re really made of.”
Experts believe the new name will launch the SciFi network, which holds a long-established reputation for having its finger on the pulse of its consumer community, into a new arena of loyal fandom. Proof: when asked whether “Syfy” sounded cooler and less alieny and spacey than “SciFi,” 9 out of 10 people on the street told us to f#@% off.

It’s a great thing when the virtual world lines up with our own real life personalities. Playing through on Fable II the second time (slightly less angelic than my last run) my character was recruited by the Assassination Society. One of the first contracts was my favorite.
This fine pic is a death warrant. The guild wanted this menace put down… publicly. My character was only too happy to oblige. What’s her crime? Always correcting other people’s grammer. [heartfelt sigh] This is a group of people after my own heart.
It was quite a pleasure to complete the contract. Laura – and her constant corrections – were silenced on the streets of Old Bowerstone with a single shot from my augmented master pistol. I totally had a Pulp Fiction moment. Standing there with my golden pistol shining in the sun with half a dozen witnesses looking on my character shouted, “Correct my pronunciation one more frakken time.” Then kicked off the safety and fulfilled the contract.
Let this stand as a notice to all those who relish this twisted practice, your time is at an end. The uneducated, unwashed, uncouth, bastard children of bad communication skills have something for you. And we deliver… publicly.
Recently I’ve been watching Star Trek: Deep Space Nine again from the beginning. Every time I do this, I’m struck by the moral evolution of the character Odo over the course of the series. In the fourth episode of Season One, “A Man Alone,” Odo becomes the prime suspect in the murder of a Bajoran hero named Ibudan. Despite the xenophobic pitchfork- wielding mob threatening him outside his office, Odo pursues the case fairly and ultimately pulls the old-man mask off the real Ibudan, who had actually killed a clone version of himself he’d developed in shady lab experiments.
Three lessons can be learned from Odo in this episode; first, do what you know is right to the best of your ability despite suffering character attacks by bigots. Second, Sherlock Holmes’ logic always worked for the opium-smoking sleuth, always worked for Lt. Cmdr. Data, and will always work for Odo, too. Third: make DARN sure the guy whose face you’re yanking off really is wearing a mask. For Odo this works out, but for someone like me (or you), it never would. (Think Walter dumping the Big Lebowski out of his wheelchair.)
Having watched all of DS9 a number of times, I’m always torn over whether or not Odo is my favorite character. Early DS9 is Odo at his best: he is a noble man concerned with basically one thing: justice. But as the show progresses, it becomes clear that maybe the reason Odo was so morally solid early on was that he had very few personal attachments, desires, or motivations to be otherwise. It’s the evil hag She-Founder of the peach, panty-line revealing dress who is Odo’s downfall. Odo finds his true roots and allows the Founder to manipulate him, “link” with him to learn all his secrets (but supposedly offer him serenity), and to nearly conquer the Alpha Quadrant if not for the insurgent skills of Rom and Quark. Yes, because of Odo’s clouded judgment, the Ferengi pretty much save our part of the universe from overlord domination.
I don’t think I can ever forgive what Odo does to Kira and co. when he ruins their plans to sabotage the Cardassian-controlled station and take down the mine field. He becomes an enemy collaborator whether he intends to or not. But is it fair to judge Odo this way? He does start out as a man of conscience. And eventually, he becomes one again. The complexity of his character keeps me thinking about my own life and moral decisions, as well as how I judge other people, no matter how many times I see these 15-year old episodes. I still can’t decide whether Odo is an “evil crapbag” or a decent man who screwed up. Either way, I think mulling over the answer is the kind of thing that can make us better people, and maybe even more understanding of others when they screw up.

In an attempt to wind down a few days ago I happened to catch an episode of Star Trek TNG. It was the season 7 episode “Parallels” where Worf returns from a bat’leth tournament to find that he’s jumping through different realities. Data helps him figure out what’s up and how to fix it when everyone else on the ship thinks Worf’s been smoking syntha-crack. It was there that I began to realize something I knew all along but never quite put my finger on. Everyone needs a homie like Lt. Commander Data.
We often see him struggle with humanity, emotions and love but without fail, time and time again he demonstrates his overwhelming ability to be a solid dude.
“Hey Data, I’ve got this problem that no one else thinks exists can you help me?”
Data fixes your problem.
“Hey Data, we need a volunteer to go to some hell hole of a planet where angels fear to tread. Are you down?”
Data is down.
“Data, here’s a hypothetical time/space problem that no one in the galaxy has experienced. Can you decipher the mysteries of the universe for us before the ship ‘sploads?”
Data solves for Y.
Without comprehending much about the human condition he understands the Homie-System completely. He doesn’t leave you hanging and forever has your back. This is what’s called a solid dude. What does he ask in return? Very simple. Feed his cat when he’s away, check out his art, listen to his music (sometimes sporting 45 minute pauses here and there) and work on some jokes with him. That’s it. That’s the price he demands for being the best friend latinum couldn’t buy.
Everyone needs a Data.
Today CNN.com asks, “Will anyone watch the ‘Watchmen’?” Answer: Not-so-friendly partners Warner Bros. and Fox hope so. They’ve got a $100M+ bill to pay, and they’re betting your bladder will hold out for 160 minutes. But while I can’t imagine everyone wanting to run out and buy their kids Veidt or Rorschach action figures — or pirate comics — I also can’t picture empty theaters come March 6th.
As GWC listeners already know, Watchmen isn’t something that I read regularly for fun. It’s a great piece of work, summed up brilliantly by Dr. Manhattan-for-a-new-generation Billy Crudup in today’s CNN piece: “‘Watchmen’ is a kind of thrilling thought experiment. What would people who dress up in costumes to fight crime actually be like? Well, they’d probably be fetishists who lived on the fringe of society. They’d all be a bunch of freaking lunatics.”
And that they are. Unlike most superhero stories which embue ordinary people with extraordinary powers in order to help us explore what it means to be valiant and heroic — and the price one pays for such deeds — Watchmen plumbs the depths of humanity (and some might say beyond), showing us the nastiness that we all know lies just beneath the surface of government, politics, law, and order. Viewed without the goggles of faith we don for Batman, non-powered superheroes become simply “costumed vigilantes” who do bad things for (sometimes) good reasons. And powered superheroes lose touch with their humanity, becoming the indifferent Gods their power makes them.
I’ve said many times that I might not see Watchmen if for no other reason than the fact that after reading the graphic novel I was depressed for a number of months. But of course as it approaches, I feel like I’m driving past a grisly car accident. We all want to speed up and pass it by because we know we’ll be worse off for seeing what’s there.
But we all take a look.
For what it’s worth, I think that take on the movie would make Alan Moore happy.
Will Anyone Watch The ‘Watchmen’? [CNN.com/EW]
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