Currently viewing the category: "Star Trek"

Up this week: The last TOS Trek film! Highlights: We discuss the TOS crew’s hard-earned open-mindedness and Kirk’s well-chosen words of diplomacy, note Valeris’ magic pole, wonder if Klingons really expect so little of their freighter captains, ponder the difficulty of getting old and accepting change, suggest that maybe Col. West’s presentation might’ve carried more weight if it wasn’t on a large pad, and generally get a huge kick out of the ultimate handoff from TOS — traveling into the undiscovered country and playing such an important role in creating the TNG-forward universe.

Up this week: Trek IV! Highlights: We tackle the changing faces of Saavik, discuss the awesome Trek TOS relationships and how they play into this time travel classic, guffaw at the crew’s fast-and-free play with timelines (all the way back to Naked Time), wonder what happened to the second pizza Kirk ordered, enjoy the II-III-IV extended story arc, hear Chuck’s explaination(s) for the whale barge and communications volleyball, question who else Bones might’ve cured while wandering the hospital, and get a big kick from the latest Audra report.

This week we begin our spool-up to the awesome Trek XI with a re-watch of Trek II: The Wrath of Khan! We’re also joined by special guest Roger Nygard, producer/director of Trekkies and Trekkies 2. Highlights: we discuss the cultural differences between early Trek and TNG forward and the cultural significance of Trekdom, explain why TOS is still relevant regardless of dated SFX and hairstyles, hear the Audra hair report (think Whitesnake video), offer proper respect for Khan’s pecs, enjoy the inspiring depth of Kirk and Spock’s friendship, note that if Sean were transported to the Trek universe he’d be Bones, wonder again why the creature-in-the-ear scene is so disturbing, and encourage listeners to catch Trek III if possible even though we’re heading forward to IV next week.

Recently I’ve been watching Star Trek: Deep Space Nine again from the beginning. Every time I do this, I’m struck by the moral evolution of the character Odo over the course of the series. In the fourth episode of Season One, “A Man Alone,” Odo becomes the prime suspect in the murder of a Bajoran hero named Ibudan. Despite the xenophobic pitchfork- wielding mob threatening him outside his office, Odo pursues the case fairly and ultimately pulls the old-man mask off the real Ibudan, who had actually killed a clone version of himself he’d developed in shady lab experiments.

Three lessons can be learned from Odo in this episode; first, do what you know is right to the best of your ability despite suffering character attacks by bigots. Second, Sherlock Holmes’ logic always worked for the opium-smoking sleuth, always worked for Lt. Cmdr. Data, and will always work for Odo, too. Third: make DARN sure the guy whose face you’re yanking off really is wearing a mask. For Odo this works out, but for someone like me (or you), it never would. (Think Walter dumping the Big Lebowski out of his wheelchair.)

Having watched all of DS9 a number of times, I’m always torn over whether or not Odo is my favorite character. Early DS9 is Odo at his best: he is a noble man concerned with basically one thing: justice. But as the show progresses, it becomes clear that maybe the reason Odo was so morally solid early on was that he had very few personal attachments, desires, or motivations to be otherwise. It’s the evil hag She-Founder of the peach, panty-line revealing dress who is Odo’s downfall. Odo finds his true roots and allows the Founder to manipulate him, “link” with him to learn all his secrets (but supposedly offer him serenity), and to nearly conquer the Alpha Quadrant if not for the insurgent skills of Rom and Quark. Yes, because of Odo’s clouded judgment, the Ferengi pretty much save our part of the universe from overlord domination.

I don’t think I can ever forgive what Odo does to Kira and co. when he ruins their plans to sabotage the Cardassian-controlled station and take down the mine field. He becomes an enemy collaborator whether he intends to or not. But is it fair to judge Odo this way? He does start out as a man of conscience. And eventually, he becomes one again. The complexity of his character keeps me thinking about my own life and moral decisions, as well as how I judge other people, no matter how many times I see these 15-year old episodes. I still can’t decide whether Odo is an “evil crapbag” or a decent man who screwed up. Either way, I think mulling over the answer is the kind of thing that can make us better people, and maybe even more understanding of others when they screw up.

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In an attempt to wind down a few days ago I happened to catch an episode of Star Trek TNG. It was the season 7 episode “Parallels” where Worf returns from a bat’leth tournament to find that he’s jumping through different realities. Data helps him figure out what’s up and how to fix it when everyone else on the ship thinks Worf’s been smoking syntha-crack. It was there that I began to realize something I knew all along but never quite put my finger on. Everyone needs a homie like Lt. Commander Data.

We often see him struggle with humanity, emotions and love but without fail, time and time again he demonstrates his overwhelming ability to be a solid dude.

“Hey Data, I’ve got this problem that no one else thinks exists can you help me?”

Data fixes your problem.

“Hey Data, we need a volunteer to go to some hell hole of a planet where angels fear to tread. Are you down?”

Data is down.

“Data, here’s a hypothetical time/space problem that no one in the galaxy has experienced. Can you decipher the mysteries of the universe for us before the ship ‘sploads?”

Data solves for Y.

Without comprehending much about the human condition he understands the Homie-System completely. He doesn’t leave you hanging and forever has your back. This is what’s called a solid dude. What does he ask in return? Very simple. Feed his cat when he’s away, check out his art, listen to his music (sometimes sporting 45 minute pauses here and there) and work on some jokes with him. That’s it. That’s the price he demands for being the best friend latinum couldn’t buy.

Everyone needs a Data.

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If you haven’t noticed yet, CBS has added the entire Star Trek TOS collection to their “classics” area for online viewing. One catch: You’ll have to watch a few commercials.

For those of you who don’t want to watch via the computer, some of TOS is also available via Netflix Instant Watch. And if you don’t want to watch alone you can join GWCers over on the forum for their Tuesday-night TOS frak parties. It looks like they’re on episode 1×03 The Corbomite Maneuver right now.

All Trek TOS [CBS Classics]

 

Last night I witnessed an event that held me in a state of curious awe: William Shatner’s new show on Biography, Shatner’s Raw Nerve. It’s not as if I’ve never seen that type of show before, but honestly I was expecting Zap Branigan to saunter out and ham it up — and what I got was Shatner doing his best to interview Leonard Nimoy. It was spellbinding.

Before you scoff too much, let me explain: It wasn’t spellbinding in the way that, say, the Frost/Nixon interview was, but more like the moment in Mr. Holland’s Opus when everyone learned that the football players could actually dance. You know, when everyone would have put good money that they’d fall on their collective rumps.

Of course it didn’t hurt that “The Shat” was interviewing his friend Leonard Nimoy. But I have the strange impression that the “I’m gonna find something that hits a nerve with you” is going to work for him. It suits his style.

Laugh if you want to but I’m setting the TiVo to record the next one. At the very least it’s entertaining — and you can’t really ask for more than that.

Shatner’s Raw Nerve [Biography]

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Majel Barrett was Nurse Chapel in Star Trek:TOS, the familiar voice of the Enterprise computer beginning in ST:TNG, and the lovely, self-determined Betazoid Lwaxana Troi in TNG and DS9. She passed away yesterday at age 76.

I admit, I don’t remember much about ST:TOS or Nurse Chapel. And while many of us know Majel Barrett from her legendary romance with husband Gene Roddenberry, I will always think of her as Lwaxana Troi, mother of the Enterprise ship’s counselor, Deanna.

My first memories of Lwaxana Troi are of her amorous advances toward the reserved and slightly embarassed Captain Picard. Later, Troi shows up with a new husband-to-be, a man who has very little time left to live, but to whom Lwaxana is determined to dedicate herself. And of course we’ll always appreciate her insistence at getting married in the nude (and that all attendees follow suit), as is customary in Betazoid tradition.

And then there’s Lwaxana Troi the ambassador, who visits Deep Space Nine and falls for the even-harder-to-get security chief Odo. Troi is the perfect on-screen match for the tightly-wound, dignified Odo- her comfort in her own skin, her certainty that life is something to be enjoyed, her warm honesty and acceptance of everyone around her, and her need to keep talking- make her that kind of person everyone feels good around. When Lwaxana and Odo are trapped for hours in a DS9 elevator, Odo must face one of his greatest fears: indignity in front of a near stranger. Lwaxana comforts him by pulling off her elaborate hairdo, revealing it as a wig above her plain, short brown hair. Odo, the most private of men, finally succumbs to his liquid form as Lwaxana holds him in the folds of her dress and promises to care for him. No one could see her compassionate expression and sincere eyes in that moment and doubt the kindness of heart of the character or the actor playing her.

This is how I will remember Majel Barrett: a beautiful, warm person who was at the heart of every incarnation of one of the most beloved sci-fi series ever. We’ll miss you, Majel.

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The Enterprise’s mission was to “seek out new life.” Greg of BarBlog.co.uk’s mission is simpler: to visit and rate every pub, club, and bar in the UK. Today he took a little time out, though, to rate a more far-out bar: Quark’s watering hole from Star Trek: Deep Space 9. What’s this experienced expert’s take?

“Overall quite a pushy venue, almost more of a sales house than the most popular bar on the outskirts of civilisation. People are obviously in dire need of a drink and Quark should stop trying to sell him punters rare Cardassian jewelery while they slurp drinks through nostrils in the back of their heads — 5/10.”

Who am I to argue with a man who’s drank in more bars than I’ve likely ever seen? Check out the rest of his site for Greg’s run-down of bars all over the world. In the meantime, we’ll be at the Irish Rover Pub in Frisco, TX tonight doing some of our own research if you’d like to join us. Here’s the meetup thread from the forum.

Quark’s Bar [BarBlog.co.uk]

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Before BSG there was Trek, and with Ron Moore, Trek was good. Now TrekMovie.com is reporting that the Galactica co-creator “wrangled a set visit” to the new Trek flick, and his (very censored) response is… quite positive.

Besides mentioning how much he enjoyed walking around a set with a Federation ship again, he also voiced his approval of J.J. Abrams and the decision to push forward in a different direction. In fact, he draws a parallel to the franchise’s employment of Wrath of Khan writer Harve Bennett, who “had never seen the show,” after which “they started over. They went at the costumes differently, the storytelling, the vibe of it, the style of story that they were going to do. They rescued the whole franchise. Wrath of Khan makes all the subsequent Star Trek projects possible.”

All in all, Trek XI is sounding more fun by the day.

(Thanks, David!)

Ron Moore Visits Star Trek Set [Trekmovie.com]

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Sure, most adults who saw The Search for Spock in the theater recognized Christopher Lloyd’s Klingon Commander Kruge as Jim from Taxi. This is Cracked’s reason for listing this “cameo” as the fifth worst in history. But luckily for me, I was young enough that I didn’t watch Taxi at the time. In fact, when I caught a Taxi re-run earlier this year, I recognized Jim as a young Doc Emmet Brown. All I needed was a quick “jigawatt” or “this model isn’t to scale” to complete the image.

Of Lloyd’s Trek performance, Cracked writes:

“While he’s on screen for a large portion of the movie (being the main villain and all), Lloyd’s role seems less like a top-billed performance and more like a cameo that just won’t end. In trying to pinpoint exactly what it was about Christopher Lloyd’s performance that made a horrible movie worse, we discovered that he bore a striking resemblance to a stereotypical relative most of us have.

“Lloyd is that annoying uncle that comes for Thanksgiving and doesn’t leave until Groundhog’s Day…”

Wow. That’s a bit harsh. Personally, I enjoyed ‘Spock, and would easily rank it first (or maybe second) among the much-maligned odd-numbered Trek flicks. And though I certainly can see Cracked’s point — the article is pretty entertaining, after all — I’m afraid I’m going to have to (in the immortal words of Lumbergh), um, disagree with them there.

Or maybe I’m just pissed because they selected Bruce Willis’ Ocean’s 12 cameo as their #1.

Six Terrible Cameos That Just About Ruined The Movie [Cracked]

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Yes, it’s lame. And I’m (almost) embarrassed to be be posting it. But it’s also funny, especially after a few — you guessed it — BEERS. Check it out. (Or don’t, and save the next one minute and twenty-four seconds of your life for productive purposes.) [via]

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